Making year-end “best of” lists always requires me to ask what has stood the test of time in terms of quality during such a limited period of time — in the grand scheme of things, a year isn’t a very long time. As such, this year I found myself playing around a lot with my potential picks for the best books of the year. Is what I found amazing in February still among the best in November? What about the best book I read over the summer in comparison to the best book I read in the fall? The spring? Therein lies the fun of compiling lists like these, because it forces me to make cuts when necessary and really choose which books have earned their spots on my final list. From a gloriously unfiltered romp of days past with an Andy Warhol superstar to a surprisingly gruesome YA horror, behold my picks for the 10 best books of 2025.
Love You Madly, Holly Woodlawn: A Walk on the Wild Side with Andy Warhol’s Most Fabulous Superstar by Jeff Copeland
By the mid-1980s, Holly Woodlawn, once lauded by George Cukor for her performance in the 1970 Warhol production and Paul Morrissey-directed Trash, was washed up. Over. Kaput. She was living in a squalid Hollywood apartment with her dog and bottles of Chardonnay. A chance meeting with starry-eyed corn-fed Missouri-born Jeff Copeland, who moved to Hollywood with dreams of “making it” as a television writer, changed the course of both of their lives forever.
Love You Madly, Holly Woodlawn is the story of how an unlikely friendship with a young gay writer and an, ahem, mature trans actress and performer created the bestselling autobiography of 1991, A Low Life in High Heels. This book about writing a book is a celebration of chutzpa and love as Holly, the embodiment of Auntie Mame, introduces Jeff to the glamorous (and sometimes larcenous) world of a Warhol Superstar. In turn, Jeff uses his writing (and typing) talent to give Holly the second chance at fame she craved. In turns hilarious and heartwarming, Love You Madly, Holly Woodlawn is a portrait of the real Holly who loved deeply, laughed loudly, and left mayhem in her wake.
Deep Cuts by Holly Brickley
Look, the song whispered to me, that day in my living room. Life can be so big. It’s a Friday night in a campus bar in Berkeley, fall of 2000, and Percy Marks is pontificating about music again. Hall and Oates is on the jukebox, and Percy—who has no talent for music, just lots of opinions about it—can’t stop herself from overanalyzing the song, indulging what she knows to be her most annoying habit. But something is different tonight. The guy beside her at the bar, fellow student Joe Morrow, is a songwriter. And he could listen to Percy talk all night.
Joe asks Percy for feedback on one of his songs—and the results kick off a partnership that will span years, ignite new passions in them both, and crush their egos again and again. Is their collaboration worth its cost? Or is it holding Percy back from finding her own voice? Moving from Brooklyn bars to San Francisco dance floors, Deep Cuts examines the nature of talent, obsession, belonging, and above all, our need to be heard.
Bibliophobia by Sarah Chihaya
Books can seduce you. They can, Sarah Chihaya believes, annihilate, reveal, and provoke you. And anyone incurably obsessed with books understands this kind of unsettling literary encounter. Sarah calls books that have this effect “Life Ruiners.” Her Life Ruiner, Toni Morrison’s The Bluest Eye, became a talisman for her in high school when its electrifying treatment of race exposed Sarah’s deepest feelings about being Japanese American in a predominantly white suburb of Cleveland.
But Sarah had always lived through her books, seeking escape, self-definition, and rules for living. She built her life around reading, wrote criticism, and taught literature at an Ivy League University. Then she was hospitalized for a nervous breakdown, and the world became an unreadable blank page. In the aftermath, she was faced with a question. Could we ever truly rewrite the stories that govern our lives? Bibliophobia is an alternately searing and darkly humorous story of breakdown and survival told through books. Delving into texts such as Anne of Green Gables, Possession, A Tale for the Time Being, The Last Samurai, Chihaya interrogates her cultural identity, her relationship with depression, and the intoxicating, sometimes painful, ways books push back on those who love them.
There’s Nothing Like This: The Strategic Genius of Taylor Swift by Kevin Evers
Singer-songwriter. Trailblazer. Mastermind. The Beatles of her generation. From her genre-busting rise in country music as a teenager to the economic juggernaut that is the Eras Tour, Taylor Swift has blazed a path that is uniquely hers. But how exactly has she managed to scale her success — multiple times — while dominating an industry that cycles through artists and stars like fashion trends? How has she managed to make and remake herself time and again while remaining true to her artistic vision? And how has she managed to master the constant disruption in the music business that has made it so hard for others to adapt and endure?
In There’s Nothing Like This, Kevin Evers, a senior editor at Harvard Business Review, answers these questions in riveting detail. With the same thoughtful analysis usually devoted to iconic founders, game-changing innovators, and pioneering brands, Evers chronicles the business and creative decisions that have defined each phase of Swift’s career. Mixing business and art, analysis and narrative, and pulling from research in innovation, creativity, psychology, and strategy, There’s Nothing Like This presents Swift as the modern and multidimensional superstar that she is—a songwriting savant and a strategic genius. Swift’s fans will see their icon from a fresh perspective. Others will gain more than a measure of admiration for her ability to stay at the top of her game. And everyone will come away understanding why, even after two decades, Swift keeps winning.
Right Beside You by Tucker Shaw
High school has just ended and Eddie is at a loss for what’s next. He had a falling out with his best friend, and he never really related to the rest of his peers in the sleepy Colorado town he calls home. The future is bleak. Until his ancient and eccentric great aunt Cookie asks him to care for her in New York City as she recuperates from an illness. Eddie leaps at the opportunity. Soon after he arrives at her tiny Greenwich Village apartment, homebound Cookie asks Eddie to use her vintage polaroid camera to snap pictures of her favorite places she can no longer visit. But something’s unusual about this camera. When he takes a photo, he’s launched back in time to an entirely different New York of the early 20th century.
As Eddie explores the underground queer life of the Roaring Twenties, he discovers new undercurrents of his own identity. Not to mention a dangerously handsome boy in scuffed boots and tattered stovepipe trousers who keeps popping up in his visions of the past. But when Eddie begins to develop a crush on the mercurial Francis, a cute baker named Theo enters the picture — and he’s in the present. Caught between timelines and feelings, Eddie must make a decision about what he’s willing to his romantic fantasies of the past or a reality that might just be what he’s wanted all along.
We Can Do Hard Things by Glennon Doyle, Abby Wambach & Amanda Doyle
We Can Do Hard Things is the guidebook for being alive. Every day, Glennon Doyle spirals around the same questions: Why am I like this? How do I figure out what I want? How do I know what to do? Why can’t I be happy? Am I doing this right? The harder life gets, the less likely she is to remember the answers she’s spent her life learning. She wonders: I’m almost fifty years old. I’ve overcome a hell of a lot. Why do I wake up every day having forgotten everything I know? Glennon’s compasses are her sister, Amanda, and her wife, Abby. Recently, in the span of a single year, Glennon was diagnosed with anorexia, Amanda was diagnosed with breast cancer, and Abby’s beloved brother died.
For the first time, they were all lost at the same time. So they turned toward the only thing that’s ever helped them find their way: deep, honest conversations with other brave, kind, wise people. They asked each other, their dearest friends, and 118 of the world’s most brilliant wayfinders: As you’ve traveled these roads — marriage, parenting, work, recovery, heartbreak, aging, new beginnings — have you collected any wisdom that might help us find our way? As Glennon, Abby, and Amanda wrote down every life-saving answer, they discovered two things: 1. No matter what road we are walking down, someone else has traveled the same terrain. 2. The wisdom of our fellow travelers will light our way. They put all of that wisdom in one place: We Can Do Hard Things — a place to turn when you feel clueless and alone, when you need clarity in the chaos, or when you want wise company on the path of life. We are all life travelers. We don’t have to travel alone.
In Too Deep: When Canadian Punks Took Over the World by Matt Bobkin & Adam Feibel
After punk found commercial success in the ’90s, with bands like Green Day, the Offspring, and Blink-182, a new wave of punk bands emerged, each embodying the DIY spirit of the movement in their own way. While Southern California remained the spiritual home of punk rock in the early 2000s, an unexpected influx of eager punks from Canada took the world by storm, changing the genre forever.
Drawing on exclusive interviews and personal stories from nine artists of the era, In Too Deep explores how Canada became the improbable birthplace of a new age of punk icons. Covering the rowdy punk rock of Gob and Sum 41, the arena-sized ambitions of Simple Plan and Marianas Trench, the reinvention of the popstar by Avril Lavigne and Fefe Dobson, and the quest to bring hardcore into the mainstream by Billy Talent, Silverstein, and Alexisonfire, In Too Deep traces the evolution of a music scene that challenged notions of who and what should be considered punk while helping to define Millennial culture as some of their generation’s first superstars.
The Satisfaction Café by Kathy Wang
Joan Liang’s life is a series of surprising developments: She never thought she would leave Taiwan for California nor did she expect her first marriage to implode — especially as quickly and spectacularly as it did. She definitely did not expect to fall in love with and marry an older, wealthy American and have children with him.
Through all this she wrestles with one persistent question: Will she ever feel truly satisfied? As Joan and her children grow older and their circumstances evolve, she makes a drastic change by opening the Satisfaction Café, a place where people can visit for a bit of conversation and to be heard and understood. Through this radical yet pragmatic business, Joan constructs a lasting legacy.
Does This Make Me Funny? by Zosia Mamet
You may know Zosia Mamet from her role as Shoshanna on Girls, or for being one of Hollywood’s original nepo babies (or as she says, “So if I’m a nepo baby I’m like a B minus one at best and maybe not even a full one. I’m like a nepo baby lite, a nepito baby, if you will.”) What you might not know is that as a toddler she visited theaters where her mom was rehearsing and crawled around on the floor, scrunching herself between seats; that she earnestly believed in Santa Claus for way too long; that she spent years navigating body image issues in hopes of finding elusive self-love; and that she was so overwhelmed and overjoyed when finally meeting her idol David Sedaris that she hid in the bathroom and melted into a “glitter puddle.”
The essays in Does This Make Me Funny? introduce us to Zosia Mamet in all her glory—from her early days growing up in literary and dramatic circles, to her years as a young adult pining for acceptance and love, to her first attempts to make it as an actor, to where she and Shosh are now. A gripping, funny, and earnest look at what it means to be a girl in the world and how to define yourself amid the bustle of show business, Does This Make Me Funny? is a captivating debut from a natural-born storyteller.
Hazelthorn by C.G. Drews
Evander has lived like a ghost in the forgotten corners of the Hazelthorn estate ever since he was taken in by his reclusive billionaire guardian, Byron Lennox-Hall, when he was a child. For his safety, Evander has been given three ironclad rules to follow: He can never leave the estate. He can never go into the gardens. And most importantly, he can never again be left alone with Byron’s charming, underachieving grandson, Laurie. That last rule has been in place ever since Laurie tried to kill Evander seven years ago, and yet somehow Evander is still obsessed with him.
When Byron suddenly dies, Evander inherits Hazelthorn’s immense gothic mansion and acres of sprawling grounds, along with the entirety of the Lennox-Hall family’s vast wealth. But Evander’s sure his guardian was murdered, and Laurie may be the only one who can help him find the killer before they come for Evander next. Perhaps even more concerning is how the overgrown garden is refusing to stay behind its walls, slipping its vines and spores deeper into the house with each passing day. As the family’s dark secrets unravel alongside the growing horror of their terribly alive, bloodthirsty garden, Evander needs to find out what he’s really inheriting before the garden demands to be fed once more.
What are your picks for the 10 best books of 2025?
Jeffrey Reads 